Monday, March 31, 2008

Dream Woman Child


The woman with the sad story and I met recently. We agreed that I should do a second version of the painting in which she is lying in bad with a small child. This painting does not have a Native American influence, but I think it might be better. What do you think?

Monday, March 24, 2008

Free

“A free spirit takes liberties even with liberty itself.”
- Francis Picabia

Thursday, March 20, 2008

The Prison Ship


A wretched prison ship plies deep blue waters under full sail. The sails themselves are the laws and words under which the men, who are transported in the Ship, are held.

Mermaids cavort among sunken treasure, compasses, ropes and rigging. The prisoners can neither see, nor can they take pleasure in their presence around the Ship.

During the American Revolution, prisoners were held in ships by the British. In fact, more American prisoners of war during the American Revolutionary War died on British prison ships than died in every battle of the war combined – approximately 11,500 men and women in New York Harbor alone, it is estimated. They died of overcrowding, contaminated water, starvation and disease. So numerous were the deaths that each morning the British jailers would greet the prisoners with, “Rebels, turn out your dead!”

Given those early sacrifices, we should continue to be mindful of this country’s laws with regards to those being held prisoner today, no matter what the circumstances.

In addition, a prison is a metaphor for many states of mind and emotion, not only physical prisons.

This painting incorporates many elements which I molded from objects around my studio, including the female torsos on the three mermaids and the thick rope along the water’s edge. They are made of gel medium, using the technique I described earlier in this blog. I enjoyed the poor casting of the women, because I thought they looked like weathered figureheads and fraying rope.



Acrylic paint, silk, 22k gold leaf and leather on paper.

Footnote: After the war, the British Commander in charge of the Prison Ships was brought up on war crimes charges and was subsequently hanged.

Wednesday, March 19, 2008

E Pele E Pele


I must have inadvertently painted a portrait of Kamapua'a when I painted my Tiki God. Because life has suddenly become interesting on the far side of the world.

It seems Madame Pele has awakened at Halemaumau Crater – the very crater where we made our perfume offering to the goddess. There is a new gas vent, which has formed and is glowing red and incandescent at night. This is why we were warned to keep our distance (and why we obeyed.) It is the first significant activity at the summit since the early 1980’s.

Lava is flowing once more into the ocean. If only She could have done this while we were there! All we could do was offer Her perfume. (She did give us back a rainbow.)

A savage (and very respectful) chant for Madame Pele!

Chant Text (Hawaiian):

E Pele e Pele ka`uka`ulï ana
E Pele e Pele hua`ina hua`ina
E Pele e Pele `oni luna `oni luna
E Pele e Pele `oni lalo `oni lalo
E Pele e Pele a`o kuli pe`e nui

Ha`ina ka inoa no Pele la ea
Eala eala ea, a i e a

He inoa no Pele

Chant Text (English):

O Pele o Pele, moving along
O Pele o Pele, bursting forth
O Pele o Pele, moving upward
O Pele o Pele, moving downward
O Pele o Pele, creeping, hiding your big knees
In the name of Pele
Tra la la

In the name of Pele

Monday, March 17, 2008

From A to Zola

"I am an artist… I am here to live out loud." ~ Emile Zola

Tuesday, March 11, 2008

Your Daily Tiki God


This painting is really just for fun.

I spent the day molding bits and pieces of interesting stuff around the studio, in preparation for future collage works. I even took two molds of my hands in two very different poses. That was tough, given the fact that the only other person in my studio was my dog, and he can't help me in these projects.

By the end of the afternoon I had tiny female torsos, horse heads, bits of rope and shells and more coins. And the two hands. I'll have to see how they come together later.

Then I had some time before having to return home, so I did this little painting. It reminds me of the shark gods one sees in Hawaii.

Acrylic paint, velvet and abalone shell on paper. 5 x 10" (13 x 25cm.)

The Moment is Near...

"I believe that the moment is near when, by a procedure of active paranoic thought, it will be possible to systematize confusion and contribute to the total discrediting of the world of reality."

- Salvador Dali

Friday, March 7, 2008

The Stain


I made the coins in this painting a few days ago – when I put up the description of how I was able to cast them. And in the meantime I glued some odd things together onto this sheet of Arches paper.

So does this count as a “one day” painting? It probably doesn’t matter, but I worked on this from 11 am until 3 pm today and was able to complete it in that time.

There are many stains on this nation’s history and the current situation is hardly the first. Slavery which was allow to continue after the new country decided that we were all born with certain inalienable rights was certainly one of the earliest. Often we have had a difficult time reconciling our stated ideals with our realities.

This young woman stands naked among the gold and silver and the scattered tea. Through her face are red and white stripes of what will in time become her country. The playing card refers to the Stamp Act mentioned in the gazette below it, but it also plays on an old ethnic slur.

Speaking of stains (and these are literally tea stains where they aren’t paint) I cut open Tazo tea bags and used them in the painting. For all the pretentious copy on the box, Tazo tea is almost undrinkable and is good only for such applications as you see here, as far as I am concerned. And so it appears here in the only important role it will ever play.

Drink Twinings of London. Or Black Pearl by Lipton. They’ll do right by ye.

Painting is acrylic paint, cotton, 22K gold and black tea on paper.

Wednesday, March 5, 2008

I'm Weaving Now


As a snowstorm swirled and raged outside the house last night I finished work produced on my new Colonial Loom, purchased recently from Williamsburg.

A few weeks ago my son came home from art class with a crude cardboard loom on which he was to make some simple basic weaving patterns. Intrigued, I tried my hand at it and found it satisfying.

When I saw the beginner’s loom at Williamsburg, I decided to get it, This one was very basic and fairly small, made by Historical Folk Toys in Indiana, a company which specializes in toys and home craft items which have roots that date back, in some cases, to prehistoric times. You can learn traditional games, Native American crafts, historical dolls, quilting,weaving, spinning or learn to play simple early musical instruments.

The company also provides some historical background for the products they sell. For instance, I learn that I am being quite the rebel when I do my own weaving... Back in Colonial times, it was against British law to weave one's own fabrics, since all colonists were expected to buy their goods already made from England. According to Historical Folk Toys:

"Early American colonists wove with flax and cotton even though weaving was against British law. Unfinished flax and cotton were supposed to be sent to England and the colonists were expected to buy the finished goods, such as fabric, from England. England would not allow their colonists to import sheep or to even have wool! Sheep were eventually brought to America from other countries allowing for the production of wool threads for weaving..."

This weaving is very soft, using acrylic yarn from JoAnn Fabrics in some pretty, seaside colors. It is too bad the beautiful sea-green color didn’t show up. Amd yes, the black band across the top is a color, not just a background. I love black and everything sings off it.

Since I am so new to weaving I am not certain what I will do with this or any pieces I produce in the future. But I am sure something will come to me.

Tuesday, March 4, 2008

To Coin a Phrase


In recent years, for the sake of visual interest, word play and a touch of reality, I have begun to add heavily textured elements to my paintings. I love to find beads, fabrics and printed matter, which will add instant recognition of Time and Place to the work.

There are two problems with this approach. One is that I often have a very limited supply of whatever it is that I am using at the time. And so if my thoughts continue down a certain road, I cannot continue to use the very same beads, or other found objects for very long. This is interruptive to my train of thought.

The other problem is that many of the elements in which I am interested are quite heavy. I am using strong paper and strong glues, but I am still very limited to objects which will not weigh down my paper unduly, or to objects which do not have too much three dimensional qualities, or else scanning and framing will eventually become problematic.

While in Beaufort viewing the Blackbeard exhibit, I happened upon some reproduction coins of the American colonial period. I was interested in the possibility of using the coins as collage elements in future paintings, but given the fact that I would like to really be able to pile on the coins and in light of the price of the coins, it didn’t seem immediately practical. I bought a selection anyway as a thought was forming in my mind…

I frequently use gel medium to adhere various pieces of old jewelry and so on to my paintings and I knew it could be manipulated into high impasto areas. I wondered if it could also be cast. If it could, then I could add as many coins as I wanted to my paintings and still have lightness and flexibility as well at the end.

Upon returning home I looked up the idea but found nothing on the web to assure me that gel medium could be cast. But I did find a product called Amazing Mold Putty .

It consists of two types of soft, pliable mold element which must be mixed together thoroughly, somewhat like epoxy, except that it is safe to the touch. It can also be purchased in bulk.

Once the putty was thoroughly mixed, I rolled it flat and pressed my coins into it. I left them there for the prescribed amount of time – about 25 minutes.

The mold easily released the coins and there was no residue left on them upon removal.

See what a beautifully detailed impression it makes?

The next day I experimented with just three of the coin impressions by filling them with my heavy bodied gel medium and allowing them to dry overnight.

When I very easily removed the dried gel medium from the mold putty, I had a beautiful impression in the gel.

The gel “coin” is light and flexible.


I painted each coin with a dark black-brown mix of acrylic paint and allowed that to dry. Then I coated them lightly with gold and silver respectively, just allowing the brush to glide over the surface in such a way as to catch the details and highlight them.

Here are pictures of the coins I made next to the original reproduction coins.


Now the coins can be trimmed or not, and glued down onto paper or canvas as collage elements while hardly adding any weight at all. They will remain as flexible as the acrylic paint around them, because they actually are only a layer of paint.

Such realistic touches will add authenticity to my paintings at the same time as a visual dimension. While I am perfectly capable of painting almost any illusion, in certain kinds of artworks such real items can be far more interesting and telling. The coins you see me produce here are the ones I used in the previous painting of the Mistress and the Stray Bay Horse.

Now I am in the middle of attempting the entire “pile” of coins.

Perhaps they will serve to hearken the mind to sunken treasures partly covered with sand and other bits of flotsam and jetsam. Now… exactly what other flotsam and jetsam? Hmmmm….

Historical note: The Spanish dollar (piece of eight) was legal tender in the early American colonies and in the US until 1857. It was by far the most common coin of Colonial times. The textured edge of the coin existed in order to prevent unscrupulous persons from scraping off the silver undetected.

Monday, March 3, 2008

The Mistress and the Stray Bay Horse


Of course I own an American Revolution-era mob cap. Doesn’t every self-respecting woman own one?

Visitors to Colonial Williamsburg may recognize the advertisement contained within this painting as one that comes from a replica of the June 1766 Virginia Gazette. The Gazette is filled with the news of the day, but it is the advertisements of land for sale and rewards for stray horses and runaway slaves which catch the eye most.

The announcement of the stray or stolen bay hourse reminded me of a story – a very short story – which I once illustrated. That tale told of a bay horse which ran away from his own story, in order not to share the same fate as the family chicken and the family pig.

I think that very same bay horse ran from that story to this story and now has run away again. I wonder where he will end up this time?

The Mistress in this story is obviously quite well off, since she is offering a rather substantial reward for the recovery of her bay horse. She offers 50 shillings for the return of her horse and if stolen, £10 if the thief is convicted. That would be, I believe, the equivalent of about $2000. - today.

The advertisement reads:

“Strayed or stolen from Warwick, the 27th of May last, a large likely bay horse, with a small star in his face, a hanging mane and switch tail, shod before, carries his head very high, paces remarkably well, and was in very good order. Whoever brings the said horse to me at Warwick, or gives information where I may get him again, shall have 50 s. reward; and if stolen, for apprehending the thief, and bringing him to justice, 10 l.”

The Mistress is painted on fine wallpaper and a fresh broadside advertising the latest goods from London. She is quite accustomed to the clink of the coins she keeps close to her bosom.

Acrylic paint, seashells, tea bag, beads and feathers on Arches paper.

Friday, February 29, 2008

Plying the Crystal Coast...


…under a Black Flag, of course.

The weather in Virginia Beach was warm and calm – unusually so for this time of year. So we decided to head south toward the Crystal Coast and the old town of Beaufort, North Carolina for an overnight trip.

We went in search of pirates. To be specific, we went in search of the most notorious pirate of them all – Edward Teach, AKA Blackbeard.

I had heard that his flagship, the Queen Anne’s Revenge, had been discovered lying on a sandbar just outside Beaufort Inlet, known in Blackbeard’s day as Topsail Inlet. Underwater archaeological recovery efforts had been going on for about ten years and I wanted to see some of the artifacts myself.

So we set out on a clear afternoon, down past the Great Dismal Swamp, where “black bear crossing” signs stood. I didn’t want to meet a black bear here. I had seen a bear skin not long ago – one of the biggest bear skins I had ever seen and was told that they grew that large in the Great Dismal. So I had no intention of making any stops along those sodden shores.

After a four hour journey and well into the sunset, we arrived in Beaufort. It is a town of very charming, very old houses and many, if not most, are B&Bs. But most of those are closed during winter months. So we settled into the nearly equally as charming and very friendly Inlet Inn, situated directly across from the harbor.There was a view of Carrot Island on the other side, with its population of wild horses. Rachel Carson did her pivotal environmental work on that very island years ago.

Our room was wonderful, complete with a long, old-fashioned window seat, into which my son settled with a book immediately.

The next day we visited the North Carolina Maritime Museum and saw the small collection of artifacts the museum currently holds from the shipwreck. It seems Blackbeard probably scuttled the Queen Anne’s Revenge deliberately, having blockaded the port of Charleston, South Carolina so recently with it and now it was too much a recognizable liability for him. He removed most of the valuables before leaving the ship and scattered his crew, probably so as not to have to share the treasure and in order to make an easier getaway. Because of his having cheated his crew, there was ready testimony against him when some of the men were caught.

The QAR was formerly a French slaver, La Concorde, refitted by Blackbeard after its capture by him into an incredibly effective pirate warship. Some of the artifacts recovered include a small amount of African gold, which helps to identify the vessel. The divers have also found a part of the ship which has since been raised – study of this part will also help to confirm the identity and will also be on exhibit when the museum completes its new annex. There is also a ship’s bell, pewter plates,

navigational and surveying tools, and lots and lots of cannon.

There is also this peculiar and very telling object.

It is a penile syringe, used to administer mercury into the urethra in hopes of securing a cure for venereal disease. During Blackbeard’s blockade of Charleston, one of his demands was for medical supplies and treatment for venereal disease was among the supplies requested. I think it is difficult to have a more intimate view of a man than to view his very own penile syringe – even at a distance in time of nearly 300 years.

Blackbeard had a favorite place to stay in Beaufort – an inn called the Hammock House, which is now the oldest house in Beaufort, having been built in 1709.

Today it is a private residence. Back in Blackbeard’s day it stood much closer to the creek – so close in fact that one could tie one’s boat up to the trees in the front yard. The course of the creek has changed since those days and now it sits at some distance from the water’s edge. It is said that he married young Mary Ormond here, but it is also said that he had 14 “wives” along with the wife and child he is supposed to have had back in England. Apparently Blackbeard was susceptible to Love and to women.

Blackbeard obtained a King’s pardon for his piratical activities – and needed it, too, after his attack on Charleston. He likely obtained the pardon through the Governor of North Carolina, Charles Eden, who was probably receiving payment and goods from the pirate as well. The Royal Navy eventually killed Blackbeard by order of Governor Alexander Spotswood of Virginia, who refused to tolerate Blackbeard’s operating so close to Virginia shores. After all, Blackbeard was in charge of a fleet of ships and several hundred men and could have easily destabilized the fledgling country, which depended on maritime trade so heavily. Although Blackbeard had received a pardon, he was settling into a new community of pirates rather more comfortably than the Governor liked just south of Virginia. The decision to attack Blackbeard was controversial, out of the Virginia Governor’s jurisdiction, and it is possible the Governor eventually lost his job over the action.

After viewing the exhibit, we toured the rest of Beaufort, and then headed back to our “headquarters” in Virginia. It had been a good raid.

Thursday, February 28, 2008

Who the #$&% Is Norton?


Before we get too rude, I must tell you about my latest art acquisition. (Roll over Rockafella- artists always have the best art collections.)

My new “action painting”, pictured above, was purchased, not from a toney art gallery, amid the clink of champagne glasses and hushed conversation, but from the Virginia Aquarium and Marine Science Center, in Virginia Beach, amid the squeals of delighted children and the sound of water.

Come and meet the artist - Norton, the harbor seal:

Norton is part of the Virginia Aquarium's Harbor Seal training program, designed to stimulate the minds and emotions of the seals in the collection. One of the activities in which they engage the animals is a painting program and the results are sold in the gift shop in order to help raise money for future programs. I spoke to one of the animal care specialists, a young woman who also took Norton’s picture for me. She informed me that the seals do indeed enjoy the activities. She also told me that it was quite remarkable that Norton was even able to paint, because as you can see, Norton is blind in one eye from a marine accident. He is also nearly blind in his other eye because of advancing age:

Nevertheless, his small creations are regularly produced in the program and he does enjoy safety and comfort in his home at the museum.

The Virginia Aquarium and Marine Science Center offers a Harbor Seal Splash experience in which a visitor can go into the water with the seals and work with them and even have them paint a picture for the visitor to take home. It is offered only in the summer months and so I was not able to attend this time, but I will certainly plan it for future visits.

Wednesday, February 27, 2008

How Rudee!


Oysters, little oysters...! And the place to get them - and slurp them - is Rudee Inlet in Virginia Beach. Working fishing boats come right up to restaurant's edge and supply the freshest seafood. If that's not fresh enough for you, you can charter your own vessel and take to the high seas in search of something more adventuresome.

This bumper sticker is going on my truck. It will go perfectly with my "Well-behaved women rarely make history" slogan. It will embarrass my son, of course, but these things can't be helped. A lady's gotta do what a lady's gotta do...

In the meantime, stay tuned for more rude and piratical adventures brought to you right here in the comfort and safety of your own living room, or Internet café, whatever...

Tuesday, February 12, 2008

Sleeping Woman


The second in my series of four paintings for the woman who has a story to tell.

Thursday, February 7, 2008

Hi, said I


“The big artist keeps an eye on nature and steals her tools.”
- Thomas Eakins

Wednesday, February 6, 2008

Terra Incognita


This "one-day" painting actually turned into a two-and-a-half-day painting, especially once I got into sewing on all those shells along with bottom.

This painting is about exploring new lands within oneself.

Acrylic on paper with velvet, silk, cotton, printed map, and shells.

Tuesday, February 5, 2008

An Issue of Lust


The "one-day" painting I had completed today was far too wet to transport. So I will have to bring it home to scan it for you tomorrow.

In the meantime, I have been informed that a local news and arts magazine, The Metro Times will be publishing one of my Cave of Desire paintings on its front cover for their "Lust" issue. Just in time for Valentine's Day. I think they said it will come out tomorrow. Or maybe next week. We'll find out... together.

Friday, February 1, 2008

Madame Pele, IF you please...

“Well, I stand up next to a mountain
And I chop it down with the edge of my hand
Well, I pick up all the pieces and make an island
Might even raise a little sand

'cause I'm a voodoo child voodoo child
Lord knows I'm a voodoo child…”

-Jimi Hendricks, from “VooDoo Child”

He might as well have been talking about Madame Pele. Yes, MADAME Pele. Be sure you address her with such respect. All indigenous Hawaiians consider Hawai’i to be the center point of creation and Kilauea as Madame Pele’s very abode.

They are correct.

Pele is creating the newest land on the planet, slowly, violently and beautifully – every day. Imagined as a strong and stunningly beautiful woman with long black hair and a hot temper, She destroys and creates at will. A true, temperamental Artist.

Once we got a taste of the land and the air and the energy which permeates everything in Hawai’I, and after having spent the morning walking land which had been created since my own birth, we felt the need to offer something to this creative goddess, this "First Artist". We rummaged around in our limited belongings for something to offer. I knew the park rangers had had some difficulties with some of the offerings people had left – some were distinctly non-environmentally friendly and either littered the grounds or left food around which simply encouraged wild pigs and other nuisance animals. So we didn’t want to leave anything with any real or negative impact. Some people said She (Madame Pele) was rather fond of gin.

I think the Lady likes perfume.

N. managed to scrounge up a couple of tiny vials of sampler perfume from the bottom of her luggage. The kind you get at the perfume counters for free and are good only for one or two applications. They come attached to a little card with the label and a descriptive mythology of the scents they hope you will eventually buy. One was a Versace perfume, for women. The other was a man’s cologne by Calvin Klein.

“But She has a boyfriend” I said.” The ranger said so.”

“That’s right. We’ll give Him the Calvin Klein. Then they can have a date.” said N.

Pele has an admirer, an ugly pig-god named Kamapua’a. They have fought violently over time, but he stays close to her in the form of a special fern which grows near Halema’uma’u Crater and actually gives it its name. He represents water and keeps the rainforest very lush.

Good enough. It was decided.

N. and I checked back at the station and were told that the air quality had improved to the “green” level, which meant that Kilauea Crater was safe enough to at least enter and walk a little bit, although we were not to approach Halema’uma’u which is home to Pele, which steams and is still giving off those noxious fumes. But Hawai'i's trade winds had blown off most of the worst vog.

“The smell of sulfur is strong, but not unpleasant to a sinner”
-Mark Twain, from “Roughing It” 1866

We decided we would walk only a short distance out – perhaps a half mile or so – before turning back, because we also did not want to be caught out on the lava or in the jungle after dark. Darkness falls pretty quickly near the Equator and distances can be misjudged. We both carried flashlights as a matter of course, but did not relish the idea of stumbling back through the rain forest and over uneven lava or roots at night.

We began at the top of the trail which led to the crater floor through a stunningly lush rain forest. At every turn it was more beautiful and filled with sweet bird song. As we descended we looked up at the cliff from which we had come.

Huge boulders were tumbled down the cliff face and strewn across our path.

The trail was very good. Excellent, in fact. A few places where one had to watch one's step over lava chunks and roots, but otherwise very lovely.

About 500 feet down we finally came out onto the crater floor. This crater was big – far bigger than Kilauea Iki – and imposing. Majestic. Very, very black and steaming everywhere. This was truly the home of a force to be reckoned with. Madame Pele Herself!

We walked out to a large cairn, about a half mile from the edge of the jungle. We were totally alone. Not a single soul was out on the crater floor. There was no temptation to walk out to Halema’uma’u – we were too scared to be tempted.

N. gently set her camcorder down on the cairn facing us and we began to describe the setting and our reasons for being there. We held up our tiny vials of perfume and told Madame Pele they were for her and for her boyfriend, whose name we could not remember or pronounce. We pried open the tops and sprinkled the few drops of fragrance onto the ground. So as not to litter, we placed the now-empty vials into our pockets, where they smelled strongly - almost overwhelmingly so. We turned off the camera. Glancing back toward the jungle’s edge and then at the sun, we knew it was time to be heading back. Another beautiful walk up through the forest and back to Volcano House.

In celebration of our little ritual we sat in Uncle George’s bar.

We drank Chardonnay and watched a gorgeous sunset before having dinner and then curling up next to the famous lava fireplace, with its carved image of Pele, for a couple of hours of warmth and conversation. Then to bed.

That night it rained prodigiously. We awoke to the most intense double rainbow I have ever seen – so deep that one could see beyond the purple to the hidden colors of the prism. The rainbow arched over the jungle and ended precisely on the very trail we had taken the night before in order to reach the crater floor. I took it as “mahalo” for the perfume - an unusual gift, perhaps. Certainly different from a bottle of gin. More Feminine. You know, treat Her like a Lady.

“I think She had a good night with Her boyfriend”, I told N.

She agreed.